Tom Ward is a musician, composer and computer programmer from Yorkshire, currently based in London. His primary instrument remains the saxophone, but in recent years he has increasingly focused on bass clarinet and flutes. Tom leads a number of groups playing his own compositions (including Madwort Saxophone Quartet and Madwort’s Menagerie), as well as collaborating on a number of freely improvised and collective groups including Cotovelo (PortaJazz), Spinningwork, Ma/ti/om, and an ever-shifting variety of duos and trios. He also co-runs the regular BRÅK night, an improvised music gig in a South London homebrew shop that has hosted such improvisers as John Edwards, Corey Mwamba, Charlotte Keeffe and more. As a side-person, he has toured/performed with Overground Collective, Beats & Pieces Big Band, Favourite Animals, Porpoise Corpus and many more. In 2020, he was heavily involved in Noise Orchestra’s Autonomous Noise Unit (ANU) project, building an easy-to-use standalone JackTrip device, as well as doing live internet broadcasts from mulitple locations using JackTrip for London Improviser’s Orchestra (LIO) and Sloth Racket.



Tom Ward is a musician, composer and computer programmer from Yorkshire, currently based in London. His primary instrument is the saxophone, but in recent years he has also been involved in a variety of projects playing bass clarinet and flute. Tom leads the Madwort Saxophone Quartet, formed to play his compositions with three other exciting young saxophonists: Chris Williams (Led Bib, Let Spin); Cath Roberts (Sloth Racket, LUME) and Andrew Woolf (Button Band, Alvorado). Their recent debut album “Live at Hundred Years Gallery” on Efpi Records received a four-star review from John Fordham in the Guardian. Tom also explores his compositions with other ensembles, including Madwort’s Menagerie – a sextet comprising flute, bass clarinet, trumpet, trombone, cello and double-bass.

Photo by Agata Urbaniak

Tom has a strong interest in freely improvised music. His collaborative group Ma/ti/om featuring Swedish percussionist Matilda Rolfsson and double bassist Tim Fairhall released their first album “Ashes” on Raw Tonk Records in 2016. They subsequently toured the UK and Scandinavian early 2017, leading to their second Raw Tonk release “Live in London” in Oct 2017. He is also establishing a working duo partnership with Manchester-based keyboard player Adam Fairhall, which will tour in September 2018. Tom is also part of the collaboration that runs BRÅK, a regular free improv night in a South London homebrew shop, at which he has played with such improvisers as John Edwards, Corey Mwamba, Alex Bonney, Olie Brice, Charlotte Keeffe, John Pope and more.

In November 2017, Tom was invited to be part of a collaborative project run in collaboration by PortaJazz Collective and the prestigious Guimarães Jazz Festival in Portugal. The project resulted in an album – Cotovelo – and a tour of Portugal. This link has continued to develop, as Tom has worked in further collaborations with Porto-based musicians.

During 2020, Tom began using JackTrip to facilitate musicians making music whilst locked down at home. This including being heavily involved in the Noise Orchestra’s Autonomous Noise Unit (ANU) project (creating & supporting an easy-to-use integrated device in an attempt to widen access), live internet radio broadcasts with Sloth Racket and the London Improvisers Orchestra (LIO), recording an album with Imaginary Junction, rehearsing a new collaborative quartet project Spinningwork, as well as numerous other ad hoc sessions.

Tom is a regular member of anarchic London big band Overground Collective, as well as performing across Europe, Canada and the US with Beats & Pieces Big Band, Cath Robert’s Favourite Animals, Article XI, the London Jazz Orchestra and Yazz Ahmed’s Family Hafla. He was a member of the Peter Whittingham award-winning ensemble Porpoise Corpus, Combustible Alarms Big Band and Quadraceratops.

Tom has performed at around the UK including at LUME Festival, Raw Tonk Festival, London Jazz Festival, Manchester Jazz Festival, Lancaster Jazz Festival, Jazz North East, Ronnie Scott’s Club, The Vortex and many more), across Europe (Nonfigurativ Musikk in Norway, Bimhuis in Amsterdam, Guimarães Jazz Festival in Portugal, Bray Jazz Festival, Jazz Ring Festival in Poznan, Germany, and more) as well as in the USA (Rochester International Jazz Festival) and Canada (Toronto Jazz Festival and more)


Madwort logo by Christophe Szpajdel