“piano and sax dialogues, ranging from hyperactive tail chasing to the calm layering of pellucid tones” – Daniel Spicer, WIRE Magazine
“accordion slurs and squeaks merge with the bass clarinet’s swooning honks” – Daniel Spicer, WIRE Magazine
“an intensely cohesive duo interaction on this recording, just imagine Konitz and Tristano under the influence of Schoenberg” – Selwyn Harris, Jazzwise